You may already have some experience with paper piecing, sometimes called foundation piecing since the usual way is to sew onto a foundation. This class will show you how you can achieve the accuracy that paper piecing gives without some of the extra steps.
The steps you WILL NOT do are:
- create one foundation for every block you sew by printing or tracing
- sew with a very small stitch length that is extremely difficult to rip out if you make a sewing mistake
- spend time removing the foundation from your blocks
Included in this class is a tutorial about fabric 'value' - no, that's not how much it costs! It is the relative lightness or darkness of your fabrics. This can 'make or break' a quilt. Here is an excerpt from the class:
Choosing Your Fabrics
You
will need a larger range of values for the two colors in your quilt. Choose two
colors that you like to put together.
It
is generally thought that there are seven main values that we can select for
fabrics. When you move from one to another, you are stepping up or down the
value ladder. These are the steps we will consider using:
·
very
light
·
light
·
light-medium
·
medium
·
medium-dark
·
dark
·
very
dark
There
are many more subtle variations in between each of these named values. It
is the selection of values from the light, medium and dark that create the
contrast we see in traditional quilt patterns. Here are two blocks. One has
excellent value contrast and one does not. It is very easy to see the
difference.
Dakota Star in light, medium, dark at left and in medium and dark at
right
Here
are those same blocks arranged as quilts. Which quilt uses value better? High contrast quilts make each block piece
stand out. Low contrast is a more subtle approach. There will be times when you
wish to use low contrast. A great use of low contrast is for clothing items.
The important thing is to know the difference and choose the values of your
fabric to create the effect you wish to achieve.
High contrast and low contrast
Both blocks in grayscale
Notice
how the two blocks look in grayscale. The green reads as very dark. The melon
color reads very light and almost blends with the background. This is a case where you must trust what your eyes tell you. No one would confuse the melon color with the
beige background when looking at the colored version. The red grayscale shows
the dark, medium and light medium values. There are no extremes in this
block.
Learn more about value and Ripless Paper Piecing in the classroom.
No comments:
Post a Comment