Saturday, November 18, 2017

Too Easy Stained Glass - it REALLY is!

I have the perfect solution for those wonderful fabrics that you hate to cut up. You know the ones I mean....landscapes, large scale modern prints, children's theme prints. Use my Too Easy Stained Glass method and you don't need to cut that great focus fabric at all!

Too Easy Stained Glass,
Too Easy Stained Glass projects from my book Simple Stained Glass Quilts

I had a few goals in mind when developing this method:
  • I wanted to sew around the stained glass part only once instead of making the quilt top and then having to stitch around the shapes again to do the quilting.
  • I wanted to prepare the entire stained glass leading and then put it ON TOP of my focus fabric so I didn't have to cut it up and fit it into the 'spaces'.
  • I needed to find a product that would give me the best results.
My method uses fusible web - and it is just like magic....students who have taken this class say 'It's Too Easy' and that is where the name came from.

Do you have these types of fabrics in your stash? Don't know what to do with them?  Join me for my 'on demand' workshop TOO EASY STAINED GLASS at the Academy of Quilting and turn those fabrics into quilts.

Too Easy Stained Glass,
Class Project, Academy of Quilting

In Lesson One you will learn the basic steps, including how to select fabrics for your first project, how to use fusible web to create the stained glass leading and how to fuse it to your fabric to make the quilt top.

In Lesson Two you will learn how I layer my quilt top with backing and batting and how to stitch the leading with a zigzag stitch.'ll be quilting at the same time!  I will show you how to stitch corners and curves so you have perfect stitching. I'll also show you how I bind my quilts.

In Lesson Three you will learn how to adjust or redesign the leading to fit a larger piece of focus fabric. I'll also share how I have used printed photographs in my stained glass quilts. We will also look at how you can create your own focus fabric and how to adapt this method to make a lap or bed-size quilt.

Too Easy Stained Glass, www.patchworkstudio.comToo Easy Stained Glass,

You can enroll for this class any time - it is an 'on demand' class.  
ENROLL TODAY and join me for Too Easy Stained Glass.   

See you in the Classroom!

Friday, November 17, 2017

Online Learning ...... Whenever it works for YOU!

Do you take classes from the comfort of home?  In your PJs, with all your 'stuff' close at hand?  That's the beauty of online learning. No need to pack up your machine and all your quilting supplies - and find that you forgot something important, like your foot pedal, or that you have the PERFECT fabric for the project....on the shelf at home!

Yes, you do miss some wonderful aspects of classes when you learn online at home. Some of the in-person social nature of classes may be lacking but I find a combination of online learning and in-person workshops work very well for most of us.  And, depending on how the online class is designed, you CAN still have a connection with the other students in the class.

And the best online workshops work WITH YOUR SCHEDULE...also known as 'On Demand'. That means you don't have to join the class on a particular day at a particular time.  So, whether you are in Canada or Australia or England, you do not need to worry about a difference in time zones. 

One of the On Demand workshops that I teach at the Academy of Quilting is Seminole Piecing.

Seminole patchwork was developed by Native American Seminole women in south Florida in the late 1800s. It was, like so much patchwork, originally a product of necessity. A bad winter made it impossible to travel to down river for new supplies, so the women used up the last strips of old fabric. These designs were first painstakingly constructed by hand. They used these very intricate looking bands to decorate their garments. The advent of the sewing machine in the early years of the twentieth century revolutionized Seminole design and production.

Women began creating more elaborate patterns which often reflected their individual tribes. A competition developed among designers. All of this was fueled by the fact that tourists were willing to purchase clothing that was decorated with the patchwork designs. By the 1920's, Seminole women were actively courting the tourist trade and had begun using prints in their patchwork design.

Here is a jacket I made that incorporates several Seminole bands.

Would you like to learn to create your own Seminole patchwork?  In this class you will learn how to make 8 different designs and can use them to make a totebag, bolster pillow and a wall quilt. This is such an intriguing patchwork method and easier to do than you may think. If you can sew a 1/4" seam, you can make magic with this technique.

You will use rotary cutting, strip piecing and re-sewing to create the patchwork.  We will begin with simple designs that you can sew in an hour and then progress to more complex designs that build on your new-found skills.

The basic technique is familiar to most quilters: sew strips of fabric together, cut them into pieces and then sew them back together again. The bold, graphic designs that result from this process have many uses. You will be inspired by my suggestions to use the bands to trim garments and home d├ęcor items.

Thursday, November 16, 2017

Ripless Paper Piecing - faster, easier and no paper to remove!

Did you know that I teach online classes?  This is through the Academy of Quilting and most of my workshops are On Demand. That means you can start anytime that works for you. All the classes have several lessons but you don't need to wait a week or more between lessons. Work at your own pace, fit it into YOUR schedule.

See my classes here.

Today I'd like to tell you about the Ripless Paper Piecing class.  This has been one of my most popular online (and in-person) workshops for the past few years.  

We all love to be accurate when we piece our quilts. One of the ways to ensure this is with 'foundation paper piecing'. There are changes we make to our sewing machine and some preparation to do for this technique. 

With my 'RIPLESS' method there are no adjustment to make for sewing and the preparation step doesn't take as much time.  But the real saving is what happens after you sew your block!  You save both TIME and PAPER because there is no need to rip the paper from the back of your block and throw it away.

Intrigued?  Here is the class project.  It is not large and you can probably pull fabrics from your stash; you can make the quilt in your two favourite colours.

As a bonus in this workshop I talk a lot about how 'value choices' are so important when you choose fabrics for your quilts. I think this is a section you will refer to over and over as you continue your quilting journey.

So....remember, this class is ON DEMAND - you can start today, or tomorrow, or next week.  And you can fit the 3 lessons into YOUR schedule.

Play the video to see what some previous students created in this class:

Hope to see you in the classroom! Sign up TODAY.

Thursday, November 9, 2017

Online Workshop - Paper Piecing Paradise

Paper piecing, foundation piecing, sew and flip, whatever you call this method, using it you will give you perfect blocks and no more chopped off points! 

This is an On Demand workshop - you can start any time!

During the 4 sessions I will show you how to create your foundations, select and prepare your fabrics and how to sew perfect blocks every time. Even traditional blocks can be pieced this way; it is not just for small blocks or unusual blocks with sharp points. 

You will have access to the 'Classroom Forum' to ask questions and share your results. I can't wait to meet you and share my tips for success.

You will learn how to 
  •          download a foundation piecing design from the Internet
  •          choose a foundation material
  •          set up your machine for foundation piecing
  •          foundation piece a cabin block
  •          use Add-a-Quarter™ rulers when foundation piecing
  •          make multiples of a foundation
  •          pre-cut shapes to speed up foundation piecing
  •          foundation piece nine different blocks including multi-part blocks
  •          foundation piece strips of Flying Geese for borders
  •          chain sew when foundation piecing (and why you would want to)
  •          add an inner border and outer foundation pieced border
  •          finish your wall hanging

You can make the layout as shown in the class sample or rearrange the blocks to create a sampler or a completely different scene. This is a paper piecing starter class, suitable for beginners with basic quilt making skills.

Wednesday, November 8, 2017

Machine Applique FUNdamentals - Spring Sample

Just finished this new class sample for my Machine Applique class at Calico Cupboard.  Was lots of fun selecting fabrics and creating the design.

Full schedule of classes will be announced soon. Why not sign up for my Newsletter and be the first to know.  Signup box is in the right sidebar. I'll send you a free pattern as my gift!

Saturday, November 4, 2017

International Quilt Festival - The Quilts

As a part of my time at Quilt Market I can see the quilts on display for International Quilt Festival which starts 1 1/2 days after Market ends. It is wonderful to wander through all the exhibits with very few people. I can take my time, take pictures of quilts (where permitted) without asking people to move out of the way and I can read the posted signage with each quilt. Here is a hint to all you photo-takers - take a picture of the 'writeup' right after the quilt and you'll know who made it and the story behind it.

There are HUNDREDS of quilts on display - so I can't see everything! I review the list of exhibits and choose the ones I want to see.

Here is a brief selection of the quilts (and one 'installation') that caught my eye. 

This first set of quilts were a part of the

Quilts: A World of Beauty

the annual Judged Show of the

International Quilt Association

These pictures were taken BEFORE the awards were announced the day after I left. 

At the Waterhole by Sheila Finzer, Terrebonne, Oregon
The elephants were stunning but the shadowy images of the trees in the background also spoke to me.
Sheila was inspired by a photo she took  while in Kruger National Park in 2011.

Awarded Second place in the Art-Pictorial category.
See the Leaves for the Tree by Marilyn Farquhar, Heidelberg, Ontario

Winner of a Judge's Choice award - choice of David Taylor
Unfurling by Frieda Anderson, Elgin, Illinois
Frieda dyes all her own fabrics; this pieced includes cotton fabric and silk, rayon and cotton hand-dyed thread.

Frieda's quilt was awarded First Place in the Innovative Pieced category.

Uptown Rail Fence by Maria Shell, Anchorage, Alaska
Maria describes herself as a 'bit maker' who then builds them into bigger and bigger compositions.
I love the energy and colour of this rail fence. I also see it as a 9-patch!

Awarded Third Place in the Innovative Pieced category

Dawning Forest by Soyoung Chung, South Korea
I love the contrast between the pieced background and the textured trees.
The quilting throughout the background adds subtle texture while the trees are heavily textured.
The tree on the right has the perfect texture for a Lodgepole Pine - one of my most favourite trees.

Majestic Redwoods by Pat Durbin, Arcata, California
Tree quilts always stop me in my tracks!
Hwasung Fortress by Mikyng Jang, Seoul, South Korea
This is 'wholecloth' quilt using Thread-Drawing to create the design - AMAZING!

Direction Optional - Group Quilt by 2016 members of Bee Sewcial, Denver, Colorado
Inspired by the #BeeSewcial January 2016 "Linear" prompt/theme
using a palette of off-whites, yellows, grays and pops of colour.

The theme was interpreted in so many ways and the innovative ideas are stunning in this piece.


Skyline by Linda Sullivan, Quilted by Teresa Silva, Arcadia, California
This quilt was in the Tactile Architecture(tm) 2017 exhibit.
Windchimes - curated by Barbara Hollinger.

The ten members of Fiber Artists @ Loose Ends created this installation.
This is only one of the 4 sections of the installation. The pieces rotated and moved in the breeze.
 Is a visit to International Quilt Festival on your 'bucket list'?  This is only a very small portion of what you can see. Beauty and inspiration all around! Start making your plans to go to Houston.

Next year's Festival dates are:

November 8 - 11, 2018
Preview Night, November 7
Classes begin November 5 (YES, there are also amazing classes you can take!)

George R. Brown Convention Center
Houston, Texas 

Friday, November 3, 2017

International Quilt Market - Fall 2017

It is over for another year and I had an amazing time in Houston this year. It started with my far TOO early flight to Calgary. Managed to capture this sunrise picture from the plane.

Then on to Houston. My hotel was formerly called The Inn at the Ballpark (now the Westin Downtown). You know what that means! Right next to Minute Maid park where the Houston Astros were playing in the World Series. We had a few crazy and noisy nights with our hotel lobby full of fans (standing room only). It was hard not to get excited along with them. Houston won but had to go back to Los Angeles to do it. Congratulations! Houston has had a rough time lately and they deserve a chance to celebrate.

There has been a lot of updating in the area around the Convention Centre. Last year was a massive construction zone with several new hotels being built and a re-configuration of the area directly in front of the centre. Restaurants have been added to make it easier to find food! 

Art installations have also been added to the area including this structure. Changing colours of lights shine through the fountains and the whole structure moves and there is music to enhance the experience. And that's what I felt it was - an experience!

Here is a video I found on YouTube so you can see how this kinetic structure moves. 

I helped with the setup for the Northcott booth. We had 2 sections because it was the big launch of our new division, Banyan Batiks. Here are a couple of pictures of the quilts on display.

This is my quilt, Shibori Weave.
The other part of the booth showcased several new collections including Stonehenge Maplewood. My quilt, Maplewood Trail, is the one on the right. I loved using the ombre fabrics to create the latticework around my quilt.

On of the nicest things about Market is reconnecting with old friends and meeting new ones. 

Here I am with Joyce Hughes and Joan Ford. We met at the
Creative Arts Business Summit a few years ago.

And I even got a selfie with Eleanor Burns!

Tomorrow I'll share one of my favourite parts of attending Quilt Market - seeing the QUILTS!

Saturday, October 28, 2017

Not your 'typical' Attic Windows quilt!

I have 'converted' several of my Academy of Quilting workshops to 'On Demand' status. That means you don't have to wait for a specific date to begin the class. Does this work better for you?

Today I'd like to tell you about one of these On Demand workshops: Attic Windows.  Well - this isn't your 'typical' attic windows class. 

You know the ones, where the teacher tells you exactly what size to cut everything and your quilt looks just like the one your friend made in the class. Oh, maybe you have different fabrics for the windows but her quilt looks better than yours!

This is a class where you can make an Attic Windows quilt that works with YOUR fabric perfectly.  I will show you how to explore a variety of window options to suit your fabric and to design your own one-of-a-kind quilt. 

Ideas to test your design ideas will be presented and practised. You'll use graph paper and pattern drafting techniques and I'll give you feedback as you refine your design.

Then you will experiment with a variety of supporting fabrics to enhance your design. You'll choose these fabrics with attention to 'value', knowledge that will help you choose fabrics with more confidence in the future.

You will learn my fool-proof method to sew traditional mitered windows. This is a skill you'll have for any future project where you'd like to add a mitred border.

This is both a design and sewing class, suitable for confident beginners with rotary cutting skills and basic quilt making skills.

Why not join me in the Attic Windows classroom today. ENROLL HERE.

Here are some of the amazing and inspiring quilts made by students in this workshop.

Thursday, October 26, 2017

Hawaii - Part 3 - the Quilting part!

I asked a quilting friend who lives in Hawaii when the local guild meeting was scheduled.....and, long story short, I was invited to teach a one-day workshop for the Maui Quilt Guild. Thanks Gloria!!

The organizers selected my  'Split Quilts' workshop, a quilting idea that I have been playing with since the publication of my first Fat Quarter book in 2005 (sadly, now out of print).

The split circles on the cover quilt were made with 2 strips of fabric pieced first and then circles cut out of the fabric. The circles were hand-appliqued to the Half Square Triangles. All the time I was doing the hand stitching I was wondering if there was another way.....perhaps with fusing.  I realized that it would be difficult to make the circles 'line up'. And then I thought 'Does that matter? I wonder what would happen?'

This lead me to make my first Split Quilt, The Cloth of Africa.This quilt was accepted for the American Quilter's Society show just after the book was published and again at the Association of Pacific Northwest Quilter' Show in Seattle in 2006.

I have since played with circles, ovals, squares and triangles using the fusing technique. It is fun and a bit mysterious because you don't know what you'll get.....until you get it.

Here are some pictures of my ADVENTUROUS students from the Maui Quilt Guild. Thanks to Donna K. for sharing her pictures to add to the ones I took.

If you would like to schedule this workshop for your guild or group,
contact me (info (at) daphnegreig (dot) com) to discuss ideas and dates.